Difference between revisions of "Anarchy 51/The catchers in the Right"
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{{tab}}never­the­less, the work­er{{s|r}} own ex­peri­ences of {{qq|adult}} at­ti­tudes and so­cial con­di­tions ob­liquely sup­port the un­at­tached{{s}} re­sent­ment and dis­trust. The North­town work­er{{s}} hor­ri­fy­ing de­scrip­tion of the fact­ory she worked in, and the Sea­gate work­er{{s}} dif­fi­culty in find­ing {{qq|adults with an at­ti­tude suf­fi­ciently toler­ant and under­stand­ing to ac­cept the group for what it was with­out wish­ing to im­pose change or in­sist on con­form­ity to nar­rowly de­fined stand­ards just for the sake of it}} both speak elo­quently for them­selves. | {{tab}}never­the­less, the work­er{{s|r}} own ex­peri­ences of {{qq|adult}} at­ti­tudes and so­cial con­di­tions ob­liquely sup­port the un­at­tached{{s}} re­sent­ment and dis­trust. The North­town work­er{{s}} hor­ri­fy­ing de­scrip­tion of the fact­ory she worked in, and the Sea­gate work­er{{s}} dif­fi­culty in find­ing {{qq|adults with an at­ti­tude suf­fi­ciently toler­ant and under­stand­ing to ac­cept the group for what it was with­out wish­ing to im­pose change or in­sist on con­form­ity to nar­rowly de­fined stand­ards just for the sake of it}} both speak elo­quently for them­selves. | ||
− | {{tab}}The work­ers them­selves all achieved a fair meas­ure of iden­ti­fic­a­tion with their un­at­tached. Sur­pris­ingly so since they didn{{t}} know what to ex­pect. The Sea­gate worker—age 22, played jazz piano, liked drama—met up with a vague but co­hes­ive group of in­tel­li­gent middle-class rebels, many of whom had thrown up {{qq|life­less, secure and com­fort­ing}} of­fice jobs, and only worked cas­u­ally when they were short of money. Their ambi­tions were to be­come act­ors, art­ists, writ­ers, mod­els. The worker dis­misses these as being {{qq|centred around highly-paid oc­cu­pa­tions}}, but goes on to say, {{qq|Paul W., who felt he was being cre­at­ive at the arts col­lege was the only one dur­ing the three years that the worker heard admit to en­joy­ing his work}}. The Sea­gate pro­ject was per­haps the most suc­cess­ful. Under the work­er{{s}} guid­ance, the group pro­duced an {{w|Ionesco|Eugène_Ionesco|Eugène Ionesco}} play. At Mid­ford, on the other hand, as be­fits a more rural com­mun­ity where un­avoid­able so­cial mix­ing be­tween age-groups pro­duces a more con­serv­at­ive at­ti­tude in young people, the worker—a 28-year-old {{w|school­master|Schoolmaster}}—seems too stolid and humour­less. While the Sea­gate worker can talk al­most non-judge­ment­ally of a girl being {{qq|sexu­ally gen­er­ous}}, the Mid­ford man writes: {{qq|Mavis {{e}} has been in­volved with a great many local boys. Jean (an older, out­side person) talked to some of this group re­cently and told them of the dangers of lead­ing this sort of life. They bluntly told her she didn{{t}} know what she was miss­ing.}} He also men­tions {{qq|rescu­ing}} girls from {{qq|com­prom­is­ing situ­a­tions with local boys}} (did he, like the {{w|Peter Sellers|Peter_Sellers}}{{a}} head­master, {{p|159}}{{qq|go round with a crow­bar and prize them apart}}?). | + | {{tab}}The work­ers them­selves all achieved a fair meas­ure of iden­ti­fic­a­tion with their un­at­tached. Sur­pris­ingly so since they didn{{t}} know what to ex­pect. The Sea­gate worker—age 22, played jazz piano, liked drama—met up with a vague but co­hes­ive group of in­tel­li­gent middle-class rebels, many of whom had thrown up {{qq|life­less, secure and com­fort­ing}} of­fice jobs, and only worked cas­u­ally when they were short of money. Their ambi­tions were to be­come act­ors, art­ists, writ­ers, mod­els. The worker dis­misses these as being {{qq|centred around highly-paid oc­cu­pa­tions}}, but goes on to say, {{qq|Paul W., who felt he was being cre­at­ive at the arts col­lege was the only one dur­ing the three years that the worker heard admit to en­joy­ing his work}}. The Sea­gate pro­ject was per­haps the most suc­cess­ful. Under the work­er{{s}} guid­ance, the group pro­duced an {{w|Ionesco|Eugène_Ionesco|Eugène Ionesco}} play. At Mid­ford, on the other hand, as be­fits a more rural com­mun­ity where un­avoid­able so­cial mix­ing be­tween age-groups pro­duces a more con­serv­at­ive at­ti­tude in young people, the worker—a 28-year-old {{w|school­master|Schoolmaster}}—seems too stolid and humour­less. While the Sea­gate worker can talk al­most non-judge­ment­ally of a girl being {{qq|sexu­ally gen­er­ous}}, the Mid­ford man writes: {{qq|Mavis {{e}} has been in­volved with a great many local boys. Jean (an older, out­side person) talked to some of this group re­cently and told them of the dangers of lead­ing this sort of life. They bluntly told her she didn{{t}} know what she was miss­ing.}} He also men­tions {{qq|rescu­ing}} girls from {{qq|com­prom­is­ing situ­a­tions with local boys}} (did he, like the {{w|Peter Sellers|Peter_Sellers}}{{a}} {{yt|head­master|5Kwnh4RbX9s|Peter Sellers - A Common Entrance}}, {{p|159}}{{qq|go round with a crow­bar and prize them apart}}?). |
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+ | {{tab}}Maybe, however, the work­ers simply found, of the many avail­able, those teen­agers that re­sponded to their per­son­al­it­ies; the North­town work­er{{s}} ac­count is the most dreary, des­pite the fact that she was work­ing in what was even then one of the most ex­cit­ing cities for the un­at­tached. She makes no men­tion of the several hun­dred {{w|beat|Beatnik|Beatnik}} groups and clubs even then oper­at­ing in the city, apart from a vague {{qq|jazz group}} (she is {{qq|un­in­ter­ested in jazz}}) that played once a week above a cof­fee bar. | ||
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+ | {{tab}}The type of act­iv­ity most pop­u­lar with all the groups (apart from the play pro­duced by the Sea­gate group—a logical next step for a group con­sist­ently more self-integ­rated, art­ic­u­late and cre­at­ive than the others) was dis­cus­sion, al­most as a group ther­apy, talk­ing about them­selves, their en­vir­on­ments, and about larger issues—the un­at­tached were far from un­at­tached in their con­cern for so­ci­ety, vide the {{qq|{{w|ban-the bomb|Nuclear_disarmament|Nuclear disarmament}}, {{w|abolish-hang­ing|Murder_(Abolition_of_Death_Penalty)_Act_1965|Murder (Abolition of Death Penalty) Act 1965}}}} group at Mid­ford. All three work­ers used their flats as centres for dis­cus­sions, where their func­tion was to act as a cat­alyst; en­cour­aging, pro­vok­ing and oc­ca­sion­ally hold­ing back. This was only pos­sible be­cause each worker was tot­ally ac­cepted as one of them by his or her group. (Most un­at­tached groups na­tur­ally pos­sess some­where some such older, wiser mem­ber.) It was this fact of total ac­cept­ance that made it {{qq|an in­sol­uble prob­lem}} for the work­ers to find suit­able re­place­ments for them­selves when the pro­jects finished—it will con­tinue to be so as long as they con­tinue to look to the present Youth Ser­vice for this facil­ity, and to re­fer to it as {{qq|ado­les­cent coun­sel­ling}}. | ||
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+ | {{tab}}This is where the pro­ject really falls flat. The whole tone and evid­ence of the work­er{{s|r}} re­ports in­dic­ate that the au­thor­it­arian and con­des­cend­ing at­ti­tude of the ex­ist­ing youth ser­vice is un­suit­able and in­ad­equate for the needs of the un­at­tached. They found the clubs {{qq|un­soph­ist­ic­ated}} and the clubs found them {{qq|dis­turb­ing}}. The Mid­ford worker wrote frankly: {{qq|To some ex­tent these clubs seemed to me to at­tract the sort of mem­bers they de­served ({{q|thir­teen-year-olds}}, {{q|kid­dies and {{popup|heart­ies|jocks}}}}; {{q|a load of {{popup|twots|twats; idiots}}}}). I could never re­com­mend such a club to the at­ten­tion of my present un­at­tached con­tacts.}} But they never quite lose faith. In Sea­gate, after the group{{s}} play had been per­formed at a Youth Drama Fest­ival, where it was not al­lowed to com­pete on ac­count of the group not be­ing af­fili­ated to the local Youth As­so­ci­a­tion, the worker per­suaded them that the af­fi­li­a­tion would be worth their while. {{qq|Rather re­luct­antly, the group de­cided to ap­ply. The of­fi­cial ap­pli­ca­tion form proved im­pos­sible to com­plete and the ap­pli­ca­tion was fin­ally made by let­ter in which it was ar­gued that the group had never found it ne­ces­sary to draw up a con­sti­tu­tion nor of­fi­cially ap­point of­fi­cers and a com­mit­tee. The work of the group had been done ef­fi­ciently and en­thu­si­astic­ally with­out the aid and sup­port of such a struc­ture. The let­ter went on to state that the group was a spon­tane­ous and flex­ible one and that the ele­ment of form­al­ity im­plied by the form was con­trary to the spirit of the group. As a re­sult, the {{w|Local Edu­ca­tion Au­thor­ity|Local_education_authority|Local education authority}} granted the group {{q|tem­porary af­fi­li­a­tion}} {{e}} The prin­cipal mot­ive in ap­ply­ing was the purely self­ish one of be­ing able to enter com­peti­tions and use LEA equip­ment.}} The worker, al­though aware of this, {{p|160}}en­cour­aged the group to ap­ply in what he de­scribes as {{qq|the hope}} that {{qq|a more posit­ive at­ti­tude to­wards of­fi­cial­dom might en­sue}}. This is un­likely<!-- 'unikely' in original --> while the func­tion of the Youth Ser­vice is to gra­ciously wel­come {{qq|the young people}} to the adult world of dreary jobs and—to avoid awk­ward con­trasts—mean­ing­less pas­times. Most of the un­at­tached, quite reason­ably, were dis­satis­fied with their jobs and, like the habitues of the [[Anarchy 27/The Teen Canteen 1|Teen Canteen]] ([[Anarchy 27|{{sc|anarchy}} 27]], but not men­tioned in this book) {{qq|at­tached ex­ces­sive im­port­ance to their off-work hours {{e}} they seek in lei­sure the free­dom and dig­nity de­nied to them in work}}.<!-- period before quotation mark in original --> This is pat­ently not pro­vided in the {{w|ping-pong|Table_tennis|Table tennis}} and party-games type of youth club, which is really a time-killer for the well-adjusted and {{qq|normal}} (a word they have the grace to put in in­verted com­mas). Nothing is thought of such as the Teen Canteen or {{w|Ray Gosling|Ray_Gosling|Ray Gosling}}{{s}} fam­ous {{l|Leicester Club|https://digital.library.lse.ac.uk/objects/lse:lok672roc|full text of Lady Albemarle’s Boys by Ray Gosling}}. ({{qq|It started as a caff run by the lads for the lads; grass roots, ground level}}<ref><font size="2">{{qq|{{BL|Sum Total|BLL01006992034}}}} by {{w|Ray Gosling|Ray_Gosling|Ray Gosling}}. Faber, 1962. p 154.</font></ref>) which, al­though eventu­ally closed down, was a suc­cess in terms of in­volve­ment: | ||
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+ | {{tab}}{{qq|I re­member com­ing back one night from {{w|Ox­ford|Oxford}}, and it was around four in the morn­ing, and as we came in over the bridge to the {{w|Central Sta­tion|Leicester_Central_railway_station|Leicester Central railway station}}, I could see the lights and the open door. Walk­ing down the street from the sta­tion and in through the door, and the {{w|juke­box|Jukebox|Jukebox}} was play­ing, and there were two dancing couples, beau­ti­fully and slowly soft, and one be­hind the bar. There had been a good take-in from the till, and the cof­fee was still good and hot and fresh. There was blood on the floor, and the dirt from a fast night. It had a wonder­ful used look about it. It was an oasis in a {{w|city|Leicester|Leicester}} of the dead. The only place open. That was the way I liked it. That was the way it could have been. It be­came that night both open and ex­clusive; the sort of place where I could feel proud at be­ing a cus­tomer.}}<ref><font size="2">Ibid. p 161.</font></ref> | ||
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+ | {{tab}}The near­est this book gets to any­thing like that is the tent­at­ive sug­ges­tion that {{qq|some mem­bers of the com­mun­ity may be espe­cially well-placed to help—{{w|fish-and-chip|Fish_and_chips|Fish and chips}}-shop man­agers, {{w|cof­fee-bar|Coffeehouse|Coffeehouse}} pro­pri­et­ors and {{w|public-house|Pub|Pub}} land­lords have unique op­por­tun­it­ies}}. As Ray Gosling put it in {{a}}59, a year be­fore this pro­ject started: {{qq|An idea—to bridge the gap be­tween those with high ideals, and good in­ten­tions, those who care and do not make con­tact; and the com­mer­cials who make con­tact but don{{t}} care.}}<ref><font size="2">Ibid. p 149.</font></ref> | ||
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+ | {{tab}}And mean­while the NAYC go on talk­ing about look­ing for a break­through, and chuck­ing sand­bags of pi­ety into the one star­ing them in the face. The pro­ject—by our stand­ards and even by theirs—must be counted to have failed. How­ever, fail­ures are in­vari­ably more in­ter­est­ing than suc­ces­ses, and, while not hop­ing with its au­thors that {{qq|as a re­sult of this book, pub­lic opin­ion will be roused and ac­tion fol­low}}—I have less faith in pub­lic opin­ion, par­tic­u­larly when roused—I think the re­port, with its quaint mix­ture of {{popup|prig­gish­ness|arrogance}} and en­light­en­ment, might give some of the right people some­thing to think about. | ||
+ | |||
+ | |||
+ | <references /> | ||
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Revision as of 21:07, 8 November 2021
The catchers
in the Right
One of the basic tenets of anarchist evangelism (if they aren’t mutually exclusive terms) is, common with that of the church or any other body, to catch ’em young. In the anarchist case this applies more in practice than in theory, simply because anarchist characteristics—open-minded questioning, dislike of authority, a capacity for honesty—are essentially youthful qualities. Not all the young possess them, alack, but they tend to be lost rather than acquired with age. They are a bit more common, though, than a discouraged anarchist might think; it’s just that those who possess them have a healthy suspicion of any organisation and are, logically, unlikely to form themselves into that notorious paradox, an anarchist organisation.
There are, however, other hunters out. In 1960, three incognito social workers were sent to three different towns “to make contact with unattached young people, to discover their interests and leisure-time activities and, following this, to help in whatever way seems appropriate”. The project was organised by the National Association of Youth Clubs, and the unattached is an account of these people (“unattached”, as might be expected in a NAYC project, meant unattached to any official organisation; nobody seems to have expected that the unattached might be perfectly happily attached to each other), and how the workers fared in “Seagate”, “Northtown” and “Midford”, finding, and establishing relationships with, the unattached in, mainly, coffee bars (an apt subtitle might have been: “With Net and Notebook Through Darkest Gaggia-land”). The principal value and delight of the book is that it is an amazingly real piece of evidence (about the unattached and the workers); almost as good as a novel—if not better in parts; the bald sketching-in of characters which nevertheless reveals very clearly the real people behind them, and the in-spite-of-itself moving description—written in best casebook manner, not unsympathetic but asympathetic—of the sad and inevitable disintegration of the Seagate group.
The workers, although not at all painfully impaled on its horns do give some indication of being faintly aware of the dilemma that haunts (or should) everyone whose job involves mental welfare: whether to encourage basically healthy mental attitudes whenever they are found, regardless of the conflicts this will lead to in a sick society, or whether to so amputate and adapt them that they will fit neatly into society as it is. The workers all speak of rebellion against “adult values”, “authority”, “society”, but never stop for long enough to even brieflynevertheless, the workers’ own experiences of “adult” attitudes and social conditions obliquely support the unattached’s resentment and distrust. The Northtown worker’s horrifying description of the factory she worked in, and the Seagate worker’s difficulty in finding “adults with an attitude sufficiently tolerant and understanding to accept the group for what it was without wishing to impose change or insist on conformity to narrowly defined standards just for the sake of it” both speak eloquently for themselves.
The workers themselves all achieved a fair measure of identification with their unattached. Surprisingly so since they didn’t know what to expect. The Seagate worker—age 22, played jazz piano, liked drama—met up with a vague but cohesive group of intelligent middle-class rebels, many of whom had thrown up “lifeless, secure and comforting” office jobs, and only worked casually when they were short of money. Their ambitions were to become actors, artists, writers, models. The worker dismisses these as being “centred around highly-paid occupations”, but goes on to say, “Paul W., who felt he was being creative at the arts college was the only one during the three years that the worker heard admit to enjoying his work”. The Seagate project was perhaps the most successful. Under the worker’s guidance, the group produced an Ionesco play. At Midford, on the other hand, as befits a more rural community where unavoidable social mixing between age-groups produces a more conservative attitude in young people, the worker—a 28-year-old schoolmaster—seems too stolid and humourless. While the Seagate worker can talk almost non-judgementally of a girl being “sexually generous”, the Midford man writes: “Mavis . . . has been involved with a great many local boys. Jean (an older, outside person) talked to some of this group recently and told them of the dangers of leading this sort of life. They bluntly told her she didn’t know what she was missing.” He also mentions “rescuing” girls from “compromising situations with local boys” (did he, like the Peter Sellers’ headmaster,Maybe, however, the workers simply found, of the many available, those teenagers that responded to their personalities; the Northtown worker’s account is the most dreary, despite the fact that she was working in what was even then one of the most exciting cities for the unattached. She makes no mention of the several hundred beat groups and clubs even then operating in the city, apart from a vague “jazz group” (she is “uninterested in jazz”) that played once a week above a coffee bar.
The type of activity most popular with all the groups (apart from the play produced by the Seagate group—a logical next step for a group consistently more self-integrated, articulate and creative than the others) was discussion, almost as a group therapy, talking about themselves, their environments, and about larger issues—the unattached were far from unattached in their concern for society, vide the “ban-the bomb, abolish-hanging” group at Midford. All three workers used their flats as centres for discussions, where their function was to act as a catalyst; encouraging, provoking and occasionally holding back. This was only possible because each worker was totally accepted as one of them by his or her group. (Most unattached groups naturally possess somewhere some such older, wiser member.) It was this fact of total acceptance that made it “an insoluble problem” for the workers to find suitable replacements for themselves when the projects finished—it will continue to be so as long as they continue to look to the present Youth Service for this facility, and to refer to it as “adolescent counselling”.
This is where the project really falls flat. The whole tone and evidence of the workers’ reports indicate that the authoritarian and condescending attitude of the existing youth service is unsuitable and inadequate for the needs of the unattached. They found the clubs “unsophisticated” and the clubs found them “disturbing”. The Midford worker wrote frankly: “To some extent these clubs seemed to me to attract the sort of members they deserved (‘thirteen-year-olds’, ‘kiddies and hearties’; ‘a load of twots’). I could never recommend such a club to the attention of my present unattached contacts.” But they never quite lose faith. In Seagate, after the group’s play had been performed at a Youth Drama Festival, where it was not allowed to compete on account of the group not being affiliated to the local Youth Association, the worker persuaded them that the affiliation would be worth their while. “Rather reluctantly, the group decided to apply. The official application form proved impossible to complete and the application was finally made by letter in which it was argued that the group had never found it necessary to draw up a constitution nor officially appoint officers and a committee. The work of the group had been done efficiently and enthusiastically without the aid and support of such a structure. The letter went on to state that the group was a spontaneous and flexible one and that the element of formality implied by the form was contrary to the spirit of the group. As a result, the Local Education Authority granted the group ‘temporary affiliation’ . . . The principal motive in applying was the purely selfish one of being able to enter competitions and use LEA equipment.” The worker, although aware of this,“I remember coming back one night from Oxford, and it was around four in the morning, and as we came in over the bridge to the Central Station, I could see the lights and the open door. Walking down the street from the station and in through the door, and the jukebox was playing, and there were two dancing couples, beautifully and slowly soft, and one behind the bar. There had been a good take-in from the till, and the coffee was still good and hot and fresh. There was blood on the floor, and the dirt from a fast night. It had a wonderful used look about it. It was an oasis in a city of the dead. The only place open. That was the way I liked it. That was the way it could have been. It became that night both open and exclusive; the sort of place where I could feel proud at being a customer.”[2]
The nearest this book gets to anything like that is the tentative suggestion that “some members of the community may be especially well-placed to help—fish-and-chip-shop managers, coffee-bar proprietors and public-house landlords have unique opportunities”. As Ray Gosling put it in ’59, a year before this project started: “An idea—to bridge the gap between those with high ideals, and good intentions, those who care and do not make contact; and the commercials who make contact but don’t care.”[3]
And meanwhile the NAYC go on talking about looking for a breakthrough, and chucking sandbags of piety into the one staring them in the face. The project—by our standards and even by theirs—must be counted to have failed. However, failures are invariably more interesting than successes, and, while not hoping with its authors that “as a result of this book, public opinion will be roused and action follow”—I have less faith in public opinion, particularly when roused—I think the report, with its quaint mixture of priggishness and enlightenment, might give some of the right people something to think about.
- ↑ “Sum Total” by Ray Gosling. Faber, 1962. p 154.
- ↑ Ibid. p 161.
- ↑ Ibid. p 149.