Difference between revisions of "Anarchy 51/The catchers in the Right"

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{{tab}}There are, how&shy;ever, other hunt&shy;ers out. In 1960, three in&shy;cog&shy;nito so&shy;cial work&shy;ers were sent to three dif&shy;fer&shy;ent towns {{qq|to make con&shy;tact with un&shy;at&shy;tached young people, to dis&shy;cover their in&shy;ter&shy;ests and leis&shy;ure-time ac&shy;tiv&shy;it&shy;ies and, fol&shy;low&shy;ing this, to help in what&shy;ever way seems ap&shy;pro&shy;pri&shy;ate}}. The pro&shy;ject was or&shy;gan&shy;ised by the {{w|Na&shy;tional As&shy;so&shy;ci&shy;a&shy;tion of Youth Clubs|UK_Youth|UK Youth}}, and {{sc|the un&shy;at&shy;tached}} is an ac&shy;count of these people ({{qq|un&shy;at&shy;tached}}, as might be ex&shy;pec&shy;ted in a NAYC pro&shy;ject, meant un&shy;at&shy;tached to any of&shy;fi&shy;cial or&shy;gan&shy;isa&shy;tion; no&shy;body seems to have ex&shy;pec&shy;ted that the un&shy;at&shy;tached might be per&shy;fectly hap&shy;pily at&shy;tached to each other), and how the work&shy;ers fared in {{qq|Sea&shy;gate}}, {{qq|North&shy;town}} and {{qq|Mid&shy;ford}}, find&shy;ing, and es&shy;tab&shy;lish&shy;ing re&shy;la&shy;tion&shy;ships with, the un&shy;at&shy;tached in, mainly, cof&shy;fee bars (an apt sub&shy;title might have been: {{qq|With Net and Note&shy;book Through Dark&shy;est {{w|Gaggia}}-land}}). The prin&shy;cipal value and de&shy;light of the book is that it is an amaz&shy;ingly real piece of evid&shy;ence (about the un&shy;at&shy;tached ''and'' the work&shy;ers); almost as good as a novel—if not bet&shy;ter in parts; the bald sketch&shy;ing-in of char&shy;ac&shy;ters which never&shy;the&shy;less re&shy;veals very clearly the real people be&shy;hind them, and the in-spite-of-itself mov&shy;ing de&shy;scrip&shy;tion—writ&shy;ten in best case&shy;book man&shy;ner, not un&shy;sym&shy;path&shy;etic but asym&shy;path&shy;etic—of the sad and in&shy;evit&shy;able dis&shy;in&shy;teg&shy;ra&shy;tion of the Sea&shy;gate group.
 
{{tab}}There are, how&shy;ever, other hunt&shy;ers out. In 1960, three in&shy;cog&shy;nito so&shy;cial work&shy;ers were sent to three dif&shy;fer&shy;ent towns {{qq|to make con&shy;tact with un&shy;at&shy;tached young people, to dis&shy;cover their in&shy;ter&shy;ests and leis&shy;ure-time ac&shy;tiv&shy;it&shy;ies and, fol&shy;low&shy;ing this, to help in what&shy;ever way seems ap&shy;pro&shy;pri&shy;ate}}. The pro&shy;ject was or&shy;gan&shy;ised by the {{w|Na&shy;tional As&shy;so&shy;ci&shy;a&shy;tion of Youth Clubs|UK_Youth|UK Youth}}, and {{sc|the un&shy;at&shy;tached}} is an ac&shy;count of these people ({{qq|un&shy;at&shy;tached}}, as might be ex&shy;pec&shy;ted in a NAYC pro&shy;ject, meant un&shy;at&shy;tached to any of&shy;fi&shy;cial or&shy;gan&shy;isa&shy;tion; no&shy;body seems to have ex&shy;pec&shy;ted that the un&shy;at&shy;tached might be per&shy;fectly hap&shy;pily at&shy;tached to each other), and how the work&shy;ers fared in {{qq|Sea&shy;gate}}, {{qq|North&shy;town}} and {{qq|Mid&shy;ford}}, find&shy;ing, and es&shy;tab&shy;lish&shy;ing re&shy;la&shy;tion&shy;ships with, the un&shy;at&shy;tached in, mainly, cof&shy;fee bars (an apt sub&shy;title might have been: {{qq|With Net and Note&shy;book Through Dark&shy;est {{w|Gaggia}}-land}}). The prin&shy;cipal value and de&shy;light of the book is that it is an amaz&shy;ingly real piece of evid&shy;ence (about the un&shy;at&shy;tached ''and'' the work&shy;ers); almost as good as a novel—if not bet&shy;ter in parts; the bald sketch&shy;ing-in of char&shy;ac&shy;ters which never&shy;the&shy;less re&shy;veals very clearly the real people be&shy;hind them, and the in-spite-of-itself mov&shy;ing de&shy;scrip&shy;tion—writ&shy;ten in best case&shy;book man&shy;ner, not un&shy;sym&shy;path&shy;etic but asym&shy;path&shy;etic—of the sad and in&shy;evit&shy;able dis&shy;in&shy;teg&shy;ra&shy;tion of the Sea&shy;gate group.
 +
 +
{{tab}}The work&shy;ers, al&shy;though not at all pain&shy;fully im&shy;paled on its horns do give some in&shy;dic&shy;a&shy;tion of being faintly aware of the di&shy;lemma that haunts (or should) every&shy;one whose job in&shy;volves men&shy;tal wel&shy;fare: whether to en&shy;cour&shy;age basic&shy;ally healthy men&shy;tal at&shy;ti&shy;tudes when&shy;ever they are found, re&shy;gard&shy;less of the con&shy;flicts this will lead to in a sick so&shy;ci&shy;ety, or whether to so am&shy;pu&shy;tate and adapt them that they will fit neatly into so&shy;ci&shy;ety as it is. The work&shy;ers all speak of re&shy;bel&shy;lion against {{qq|adult val&shy;ues}},<!-- comma omitted in original --> {{qq|au&shy;thor&shy;ity}}, {{qq|so&shy;ci&shy;ety}}, but never stop for long enough to even briefly {{p|158}}ques&shy;tion these val&shy;ues for them&shy;selves. {{qq|To a dis&shy;turb&shy;ing de&shy;gree it was found that the un&shy;at&shy;tached young people were often con&shy;sciously or un&shy;con&shy;sciously at&shy;tack&shy;ing the work&shy;er{{s|r}} own stand&shy;ards and val&shy;ues.}} Surely they were in&shy;tel&shy;li&shy;gent and aware enough to real&shy;ise that no set of val&shy;ues is ever a way of life in isol&shy;a&shy;tion, but, in a com&shy;mun&shy;ity where op&shy;pos&shy;ing val&shy;ues ob&shy;tain, is un&shy;avoid&shy;ably an im&shy;plied cri&shy;ti&shy;cism of those val&shy;ues? All they man&shy;aged to do was worry about the seem&shy;ing im&shy;possib&shy;il&shy;ity of their task. {{qq|Faced with all the dis&shy;crep&shy;an&shy;cies be&shy;tween tra&shy;di&shy;tional middle-class be&shy;liefs and middle-class be&shy;ha&shy;viour, how was the Sea&shy;gate worker to in&shy;dic&shy;ate {{e}} that middle-class val&shy;ues were prefer&shy;able to the {{q|bum}} philo&shy;sophy}} (note use of word {{qq|that}}). Al&shy;though this troubled them con&shy;tinu&shy;ally, they never—and this is the tragedy of the pro&shy;ject and the book—managed to find the right ques&shy;tions to ask. The only cri&shy;ti&shy;cisms of adult so&shy;ci&shy;ety, voiced with the nervous de&shy;fi&shy;ance of minor her&shy;es&shy;ies, are to the ef&shy;fect that its fail&shy;ings lie in not hav&shy;ing helped {{qq|these young people to feel that they belong}}. Des&shy;pite some shilly-shally&shy;ing, the basic creed is al&shy;ways re&shy;turned to: These are The Un&shy;at&shy;tached; at&shy;tach them. {{e}} They are in the wrong. We are in the right. NAYC know best.
 +
 +
{{tab}}never&shy;the&shy;less, the work&shy;er{{s|r}} own ex&shy;peri&shy;ences of {{qq|adult}} at&shy;ti&shy;tudes and so&shy;cial con&shy;di&shy;tions ob&shy;liquely sup&shy;port the un&shy;at&shy;tached{{s}} re&shy;sent&shy;ment and dis&shy;trust. The North&shy;town work&shy;er{{s}} hor&shy;ri&shy;fy&shy;ing de&shy;scrip&shy;tion of the fact&shy;ory she worked in, and the Sea&shy;gate work&shy;er{{s}} dif&shy;fi&shy;culty in find&shy;ing {{qq|adults with an at&shy;ti&shy;tude suf&shy;fi&shy;ciently toler&shy;ant and under&shy;stand&shy;ing to ac&shy;cept the group for what it was with&shy;out wish&shy;ing to im&shy;pose change or in&shy;sist on con&shy;form&shy;ity to nar&shy;rowly de&shy;fined stand&shy;ards just for the sake of it}} both speak elo&shy;quently for them&shy;selves.
 +
 +
{{tab}}The work&shy;ers them&shy;selves all achieved a fair meas&shy;ure of iden&shy;ti&shy;fic&shy;a&shy;tion with their un&shy;at&shy;tached. Sur&shy;pris&shy;ingly so since they didn{{t}} know what to ex&shy;pect. The Sea&shy;gate worker—age 22, played jazz piano, liked drama—met up with a vague but co&shy;hes&shy;ive group of in&shy;tel&shy;li&shy;gent middle-class rebels, many of whom had thrown up {{qq|life&shy;less, secure and com&shy;fort&shy;ing}} of&shy;fice jobs, and only worked cas&shy;u&shy;ally when they were short of money. Their ambi&shy;tions were to be&shy;come act&shy;ors, art&shy;ists, writ&shy;ers, mod&shy;els. The worker dis&shy;misses these as being {{qq|centred around highly-paid oc&shy;cu&shy;pa&shy;tions}}, but goes on to say, {{qq|Paul W., who felt he was being cre&shy;at&shy;ive at the arts col&shy;lege was the only one dur&shy;ing the three years that the worker heard admit to en&shy;joy&shy;ing his work}}. The Sea&shy;gate pro&shy;ject was per&shy;haps the most suc&shy;cess&shy;ful. Under the work&shy;er{{s}} guid&shy;ance, the group pro&shy;duced an {{w|Ionesco|Eugène_Ionesco|Eugène Ionesco}} play. At Mid&shy;ford, on the other hand, as be&shy;fits a more rural com&shy;mun&shy;ity where un&shy;avoid&shy;able so&shy;cial mix&shy;ing be&shy;tween age-groups pro&shy;duces a more con&shy;serv&shy;at&shy;ive at&shy;ti&shy;tude in young people, the worker—a 28-year-old {{w|school&shy;master|Schoolmaster}}—seems too stolid and humour&shy;less. While the Sea&shy;gate worker can talk al&shy;most non-judge&shy;ment&shy;ally of a girl being {{qq|sexu&shy;ally gen&shy;er&shy;ous}}, the Mid&shy;ford man writes: {{qq|Mavis {{e}} has been in&shy;volved with a great many local boys. Jean (an older, out&shy;side person) talked to some of this group re&shy;cently and told them of the dangers of lead&shy;ing this sort of life. They bluntly told her she didn{{t}} know what she was miss&shy;ing.}} He also men&shy;tions {{qq|rescu&shy;ing}} girls from {{qq|com&shy;prom&shy;is&shy;ing situ&shy;a&shy;tions with local boys}} (did he, like the {{w|Peter Sellers|Peter_Sellers}}{{a}} head&shy;master, {{p|159}}{{qq|go round with a crow&shy;bar and prize them apart}}?).
 
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Revision as of 18:48, 31 October 2021


157

The catchers
in the Right

PETER WILLIS


THE UN­ATTACHED by Mary Morse.  (Pelican 3s. 6d.)

One of the basic tenets of anar­chist evan­gelism (if they aren’t mu­tu­ally ex­clus­ive terms) is, com­mon with that of the church or any other body, to catch ’em young. In the anar­chist case this ap­plies more in prac­tice than in the­ory, simply be­cause anar­chist char­ac­ter­ist­ics—open-minded ques­tion­ing, dis­like of au­thor­ity, a ca­pa­city for hon­esty—are es­sen­tially youth­ful qual­it­ies. Not all the young pos­sess them, alack, but they tend to be lost rather than ac­quired with age. They are a bit more com­mon, though, than a dis­cour­aged anar­chist might think; it’s just that those who pos­sess them have a heal­thy sus­pi­cion of any or­gan­isa­tion and are, lo­gic­ally, un­likely to form them­selves into that no­tori­ous para­dox, an anar­chist or­gan­isa­tion.

  There are, how­ever, other hunt­ers out. In 1960, three in­cog­nito so­cial work­ers were sent to three dif­fer­ent towns “to make con­tact with un­at­tached young people, to dis­cover their in­ter­ests and leis­ure-time ac­tiv­it­ies and, fol­low­ing this, to help in what­ever way seems ap­pro­pri­ate”. The pro­ject was or­gan­ised by the Na­tional As­so­ci­a­tion of Youth Clubs, and the un­at­tached is an ac­count of these people (“un­at­tached”, as might be ex­pec­ted in a NAYC pro­ject, meant un­at­tached to any of­fi­cial or­gan­isa­tion; no­body seems to have ex­pec­ted that the un­at­tached might be per­fectly hap­pily at­tached to each other), and how the work­ers fared in “Sea­gate”, “North­town” and “Mid­ford”, find­ing, and es­tab­lish­ing re­la­tion­ships with, the un­at­tached in, mainly, cof­fee bars (an apt sub­title might have been: “With Net and Note­book Through Dark­est Gaggia-land”). The prin­cipal value and de­light of the book is that it is an amaz­ingly real piece of evid­ence (about the un­at­tached and the work­ers); almost as good as a novel—if not bet­ter in parts; the bald sketch­ing-in of char­ac­ters which never­the­less re­veals very clearly the real people be­hind them, and the in-spite-of-itself mov­ing de­scrip­tion—writ­ten in best case­book man­ner, not un­sym­path­etic but asym­path­etic—of the sad and in­evit­able dis­in­teg­ra­tion of the Sea­gate group.

  The work­ers, al­though not at all pain­fully im­paled on its horns do give some in­dic­a­tion of being faintly aware of the di­lemma that haunts (or should) every­one whose job in­volves men­tal wel­fare: whether to en­cour­age basic­ally healthy men­tal at­ti­tudes when­ever they are found, re­gard­less of the con­flicts this will lead to in a sick so­ci­ety, or whether to so am­pu­tate and adapt them that they will fit neatly into so­ci­ety as it is. The work­ers all speak of re­bel­lion against “adult val­ues”, “au­thor­ity”, “so­ci­ety”, but never stop for long enough to even briefly
158
ques­tion these val­ues for them­selves. “To a dis­turb­ing de­gree it was found that the un­at­tached young people were often con­sciously or un­con­sciously at­tack­ing the work­ers’ own stand­ards and val­ues.” Surely they were in­tel­li­gent and aware enough to real­ise that no set of val­ues is ever a way of life in isol­a­tion, but, in a com­mun­ity where op­pos­ing val­ues ob­tain, is un­avoid­ably an im­plied cri­ti­cism of those val­ues? All they man­aged to do was worry about the seem­ing im­possib­il­ity of their task. “Faced with all the dis­crep­an­cies be­tween tra­di­tional middle-class be­liefs and middle-class be­ha­viour, how was the Sea­gate worker to in­dic­ate . . . that middle-class val­ues were prefer­able to the ‘bum’ philo­sophy” (note use of word “that”). Al­though this troubled them con­tinu­ally, they never—and this is the tragedy of the pro­ject and the book—managed to find the right ques­tions to ask. The only cri­ti­cisms of adult so­ci­ety, voiced with the nervous de­fi­ance of minor her­es­ies, are to the ef­fect that its fail­ings lie in not hav­ing helped “these young people to feel that they belong”. Des­pite some shilly-shally­ing, the basic creed is al­ways re­turned to: These are The Un­at­tached; at­tach them. . . . They are in the wrong. We are in the right. NAYC know best.

  never­the­less, the work­ers’ own ex­peri­ences of “adult” at­ti­tudes and so­cial con­di­tions ob­liquely sup­port the un­at­tached’s re­sent­ment and dis­trust. The North­town work­er’s hor­ri­fy­ing de­scrip­tion of the fact­ory she worked in, and the Sea­gate work­er’s dif­fi­culty in find­ing “adults with an at­ti­tude suf­fi­ciently toler­ant and under­stand­ing to ac­cept the group for what it was with­out wish­ing to im­pose change or in­sist on con­form­ity to nar­rowly de­fined stand­ards just for the sake of it” both speak elo­quently for them­selves.

  The work­ers them­selves all achieved a fair meas­ure of iden­ti­fic­a­tion with their un­at­tached. Sur­pris­ingly so since they didn’t know what to ex­pect. The Sea­gate worker—age 22, played jazz piano, liked drama—met up with a vague but co­hes­ive group of in­tel­li­gent middle-class rebels, many of whom had thrown up “life­less, secure and com­fort­ing” of­fice jobs, and only worked cas­u­ally when they were short of money. Their ambi­tions were to be­come act­ors, art­ists, writ­ers, mod­els. The worker dis­misses these as being “centred around highly-paid oc­cu­pa­tions”, but goes on to say, “Paul W., who felt he was being cre­at­ive at the arts col­lege was the only one dur­ing the three years that the worker heard admit to en­joy­ing his work”. The Sea­gate pro­ject was per­haps the most suc­cess­ful. Under the work­er’s guid­ance, the group pro­duced an Ionesco play. At Mid­ford, on the other hand, as be­fits a more rural com­mun­ity where un­avoid­able so­cial mix­ing be­tween age-groups pro­duces a more con­serv­at­ive at­ti­tude in young people, the worker—a 28-year-old school­master—seems too stolid and humour­less. While the Sea­gate worker can talk al­most non-judge­ment­ally of a girl being “sexu­ally gen­er­ous”, the Mid­ford man writes: “Mavis . . . has been in­volved with a great many local boys. Jean (an older, out­side person) talked to some of this group re­cently and told them of the dangers of lead­ing this sort of life. They bluntly told her she didn’t know what she was miss­ing.” He also men­tions “rescu­ing” girls from “com­prom­is­ing situ­a­tions with local boys” (did he, like the Peter Sellers’ head­master,
159
“go round with a crow­bar and prize them apart”?).