Difference between revisions of "Anarchy 51/The catchers in the Right"
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{{tab}}There are, how­ever, other hunt­ers out. In 1960, three in­cog­nito so­cial work­ers were sent to three dif­fer­ent towns {{qq|to make con­tact with un­at­tached young people, to dis­cover their in­ter­ests and leis­ure-time ac­tiv­it­ies and, fol­low­ing this, to help in what­ever way seems ap­pro­pri­ate}}. The pro­ject was or­gan­ised by the {{w|Na­tional As­so­ci­a­tion of Youth Clubs|UK_Youth|UK Youth}}, and {{sc|the un­at­tached}} is an ac­count of these people ({{qq|un­at­tached}}, as might be ex­pec­ted in a NAYC pro­ject, meant un­at­tached to any of­fi­cial or­gan­isa­tion; no­body seems to have ex­pec­ted that the un­at­tached might be per­fectly hap­pily at­tached to each other), and how the work­ers fared in {{qq|Sea­gate}}, {{qq|North­town}} and {{qq|Mid­ford}}, find­ing, and es­tab­lish­ing re­la­tion­ships with, the un­at­tached in, mainly, cof­fee bars (an apt sub­title might have been: {{qq|With Net and Note­book Through Dark­est {{w|Gaggia}}-land}}). The prin­cipal value and de­light of the book is that it is an amaz­ingly real piece of evid­ence (about the un­at­tached ''and'' the work­ers); almost as good as a novel—if not bet­ter in parts; the bald sketch­ing-in of char­ac­ters which never­the­less re­veals very clearly the real people be­hind them, and the in-spite-of-itself mov­ing de­scrip­tion—writ­ten in best case­book man­ner, not un­sym­path­etic but asym­path­etic—of the sad and in­evit­able dis­in­teg­ra­tion of the Sea­gate group. | {{tab}}There are, how­ever, other hunt­ers out. In 1960, three in­cog­nito so­cial work­ers were sent to three dif­fer­ent towns {{qq|to make con­tact with un­at­tached young people, to dis­cover their in­ter­ests and leis­ure-time ac­tiv­it­ies and, fol­low­ing this, to help in what­ever way seems ap­pro­pri­ate}}. The pro­ject was or­gan­ised by the {{w|Na­tional As­so­ci­a­tion of Youth Clubs|UK_Youth|UK Youth}}, and {{sc|the un­at­tached}} is an ac­count of these people ({{qq|un­at­tached}}, as might be ex­pec­ted in a NAYC pro­ject, meant un­at­tached to any of­fi­cial or­gan­isa­tion; no­body seems to have ex­pec­ted that the un­at­tached might be per­fectly hap­pily at­tached to each other), and how the work­ers fared in {{qq|Sea­gate}}, {{qq|North­town}} and {{qq|Mid­ford}}, find­ing, and es­tab­lish­ing re­la­tion­ships with, the un­at­tached in, mainly, cof­fee bars (an apt sub­title might have been: {{qq|With Net and Note­book Through Dark­est {{w|Gaggia}}-land}}). The prin­cipal value and de­light of the book is that it is an amaz­ingly real piece of evid­ence (about the un­at­tached ''and'' the work­ers); almost as good as a novel—if not bet­ter in parts; the bald sketch­ing-in of char­ac­ters which never­the­less re­veals very clearly the real people be­hind them, and the in-spite-of-itself mov­ing de­scrip­tion—writ­ten in best case­book man­ner, not un­sym­path­etic but asym­path­etic—of the sad and in­evit­able dis­in­teg­ra­tion of the Sea­gate group. | ||
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+ | {{tab}}The work­ers, al­though not at all pain­fully im­paled on its horns do give some in­dic­a­tion of being faintly aware of the di­lemma that haunts (or should) every­one whose job in­volves men­tal wel­fare: whether to en­cour­age basic­ally healthy men­tal at­ti­tudes when­ever they are found, re­gard­less of the con­flicts this will lead to in a sick so­ci­ety, or whether to so am­pu­tate and adapt them that they will fit neatly into so­ci­ety as it is. The work­ers all speak of re­bel­lion against {{qq|adult val­ues}},<!-- comma omitted in original --> {{qq|au­thor­ity}}, {{qq|so­ci­ety}}, but never stop for long enough to even briefly {{p|158}}ques­tion these val­ues for them­selves. {{qq|To a dis­turb­ing de­gree it was found that the un­at­tached young people were often con­sciously or un­con­sciously at­tack­ing the work­er{{s|r}} own stand­ards and val­ues.}} Surely they were in­tel­li­gent and aware enough to real­ise that no set of val­ues is ever a way of life in isol­a­tion, but, in a com­mun­ity where op­pos­ing val­ues ob­tain, is un­avoid­ably an im­plied cri­ti­cism of those val­ues? All they man­aged to do was worry about the seem­ing im­possib­il­ity of their task. {{qq|Faced with all the dis­crep­an­cies be­tween tra­di­tional middle-class be­liefs and middle-class be­ha­viour, how was the Sea­gate worker to in­dic­ate {{e}} that middle-class val­ues were prefer­able to the {{q|bum}} philo­sophy}} (note use of word {{qq|that}}). Al­though this troubled them con­tinu­ally, they never—and this is the tragedy of the pro­ject and the book—managed to find the right ques­tions to ask. The only cri­ti­cisms of adult so­ci­ety, voiced with the nervous de­fi­ance of minor her­es­ies, are to the ef­fect that its fail­ings lie in not hav­ing helped {{qq|these young people to feel that they belong}}. Des­pite some shilly-shally­ing, the basic creed is al­ways re­turned to: These are The Un­at­tached; at­tach them. {{e}} They are in the wrong. We are in the right. NAYC know best. | ||
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+ | {{tab}}never­the­less, the work­er{{s|r}} own ex­peri­ences of {{qq|adult}} at­ti­tudes and so­cial con­di­tions ob­liquely sup­port the un­at­tached{{s}} re­sent­ment and dis­trust. The North­town work­er{{s}} hor­ri­fy­ing de­scrip­tion of the fact­ory she worked in, and the Sea­gate work­er{{s}} dif­fi­culty in find­ing {{qq|adults with an at­ti­tude suf­fi­ciently toler­ant and under­stand­ing to ac­cept the group for what it was with­out wish­ing to im­pose change or in­sist on con­form­ity to nar­rowly de­fined stand­ards just for the sake of it}} both speak elo­quently for them­selves. | ||
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+ | {{tab}}The work­ers them­selves all achieved a fair meas­ure of iden­ti­fic­a­tion with their un­at­tached. Sur­pris­ingly so since they didn{{t}} know what to ex­pect. The Sea­gate worker—age 22, played jazz piano, liked drama—met up with a vague but co­hes­ive group of in­tel­li­gent middle-class rebels, many of whom had thrown up {{qq|life­less, secure and com­fort­ing}} of­fice jobs, and only worked cas­u­ally when they were short of money. Their ambi­tions were to be­come act­ors, art­ists, writ­ers, mod­els. The worker dis­misses these as being {{qq|centred around highly-paid oc­cu­pa­tions}}, but goes on to say, {{qq|Paul W., who felt he was being cre­at­ive at the arts col­lege was the only one dur­ing the three years that the worker heard admit to en­joy­ing his work}}. The Sea­gate pro­ject was per­haps the most suc­cess­ful. Under the work­er{{s}} guid­ance, the group pro­duced an {{w|Ionesco|Eugène_Ionesco|Eugène Ionesco}} play. At Mid­ford, on the other hand, as be­fits a more rural com­mun­ity where un­avoid­able so­cial mix­ing be­tween age-groups pro­duces a more con­serv­at­ive at­ti­tude in young people, the worker—a 28-year-old {{w|school­master|Schoolmaster}}—seems too stolid and humour­less. While the Sea­gate worker can talk al­most non-judge­ment­ally of a girl being {{qq|sexu­ally gen­er­ous}}, the Mid­ford man writes: {{qq|Mavis {{e}} has been in­volved with a great many local boys. Jean (an older, out­side person) talked to some of this group re­cently and told them of the dangers of lead­ing this sort of life. They bluntly told her she didn{{t}} know what she was miss­ing.}} He also men­tions {{qq|rescu­ing}} girls from {{qq|com­prom­is­ing situ­a­tions with local boys}} (did he, like the {{w|Peter Sellers|Peter_Sellers}}{{a}} head­master, {{p|159}}{{qq|go round with a crow­bar and prize them apart}}?). | ||
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Revision as of 17:48, 31 October 2021
The catchers
in the Right
One of the basic tenets of anarchist evangelism (if they aren’t mutually exclusive terms) is, common with that of the church or any other body, to catch ’em young. In the anarchist case this applies more in practice than in theory, simply because anarchist characteristics—open-minded questioning, dislike of authority, a capacity for honesty—are essentially youthful qualities. Not all the young possess them, alack, but they tend to be lost rather than acquired with age. They are a bit more common, though, than a discouraged anarchist might think; it’s just that those who possess them have a healthy suspicion of any organisation and are, logically, unlikely to form themselves into that notorious paradox, an anarchist organisation.
There are, however, other hunters out. In 1960, three incognito social workers were sent to three different towns “to make contact with unattached young people, to discover their interests and leisure-time activities and, following this, to help in whatever way seems appropriate”. The project was organised by the National Association of Youth Clubs, and the unattached is an account of these people (“unattached”, as might be expected in a NAYC project, meant unattached to any official organisation; nobody seems to have expected that the unattached might be perfectly happily attached to each other), and how the workers fared in “Seagate”, “Northtown” and “Midford”, finding, and establishing relationships with, the unattached in, mainly, coffee bars (an apt subtitle might have been: “With Net and Notebook Through Darkest Gaggia-land”). The principal value and delight of the book is that it is an amazingly real piece of evidence (about the unattached and the workers); almost as good as a novel—if not better in parts; the bald sketching-in of characters which nevertheless reveals very clearly the real people behind them, and the in-spite-of-itself moving description—written in best casebook manner, not unsympathetic but asympathetic—of the sad and inevitable disintegration of the Seagate group.
The workers, although not at all painfully impaled on its horns do give some indication of being faintly aware of the dilemma that haunts (or should) everyone whose job involves mental welfare: whether to encourage basically healthy mental attitudes whenever they are found, regardless of the conflicts this will lead to in a sick society, or whether to so amputate and adapt them that they will fit neatly into society as it is. The workers all speak of rebellion against “adult values”, “authority”, “society”, but never stop for long enough to even brieflynevertheless, the workers’ own experiences of “adult” attitudes and social conditions obliquely support the unattached’s resentment and distrust. The Northtown worker’s horrifying description of the factory she worked in, and the Seagate worker’s difficulty in finding “adults with an attitude sufficiently tolerant and understanding to accept the group for what it was without wishing to impose change or insist on conformity to narrowly defined standards just for the sake of it” both speak eloquently for themselves.
The workers themselves all achieved a fair measure of identification with their unattached. Surprisingly so since they didn’t know what to expect. The Seagate worker—age 22, played jazz piano, liked drama—met up with a vague but cohesive group of intelligent middle-class rebels, many of whom had thrown up “lifeless, secure and comforting” office jobs, and only worked casually when they were short of money. Their ambitions were to become actors, artists, writers, models. The worker dismisses these as being “centred around highly-paid occupations”, but goes on to say, “Paul W., who felt he was being creative at the arts college was the only one during the three years that the worker heard admit to enjoying his work”. The Seagate project was perhaps the most successful. Under the worker’s guidance, the group produced an Ionesco play. At Midford, on the other hand, as befits a more rural community where unavoidable social mixing between age-groups produces a more conservative attitude in young people, the worker—a 28-year-old schoolmaster—seems too stolid and humourless. While the Seagate worker can talk almost non-judgementally of a girl being “sexually generous”, the Midford man writes: “Mavis . . . has been involved with a great many local boys. Jean (an older, outside person) talked to some of this group recently and told them of the dangers of leading this sort of life. They bluntly told her she didn’t know what she was missing.” He also mentions “rescuing” girls from “compromising situations with local boys” (did he, like the Peter Sellers’ headmaster,